It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women.
才能と天才の違いを学ぶには長い時間がかかる、特に野心的な若い男女には。
Amy was learning this distinction through much tribulation, for mistaking enthusiasm for inspiration, she attempted every branch of art with youthful audacity.
distinction
(区別)
[名]
the quality or state of being distinguishable
tribulation
(苦難)
[名]
a cause of great trouble or suffering
inspiration
(インスピレーション)
[名]
the process of being mentally stimulated to do or feel something, especially to do something creative
attempt
(挑戦する)
[動]
make an effort to achieve something
branch
(分野)
[名]
a part of a tree that grows out from the trunk
エイミーは、熱意をインスピレーションと勘違いして、若さゆえの大胆さで芸術のあらゆる分野に挑戦し、多くの苦難を経てこの区別を学んでいた。
For a long time there was a lull in the ‘mud-pie’ business, and she devoted herself to the finest pen-and-ink drawing, in which she showed such taste and skill that her graceful handiwork proved both pleasant and profitable.
for a long time
(長い間)
[副]
for a long period of time
devote oneself to
(専念する)
[動]
give all of one's time and energy to
pen-and-ink drawing
(ペンとインクを使った絵)
[名]
a drawing made with a pen and ink
handiwork
(手仕事)
[名]
work done by hand
長い間「泥パイ」作りは小休止し、彼女はペンとインクを使った最高の絵に専念し、その優雅な手仕事は楽しくもあり、利益にもなるほどの趣味と技を見せた。
But over-strained eyes caused pen and ink to be laid aside for a bold attempt at poker-sketching.
over-strained
(酷使した)
[形]
used too much
lay aside
(脇に置く)
[動]
put to one side
poker
(ポーカー)
[名]
a card game played by two or more people in which each player bets that the value of his or her hand is greater than that of the other players
しかし、目を酷使しすぎたため、ペンとインクを脇に置いて、大胆にもポーカーのスケッチに挑戦した。
While this attack lasted, the family lived in constant fear of a conflagration, for the odor of burning wood pervaded the house at all hours, smoke issued from attic and shed with alarming frequency, red-hot pokers lay about promiscuously, and Hannah never went to bed without a pail of water and the dinner bell at her door in case of fire.
live in constant fear of
(常に恐れて暮らす)
[動]
be in a state of constant fear
conflagration
(大火事)
[名]
a large and destructive fire
burning wood
(木が燃える)
[名]
wood that is on fire
at all hours
(四六時中)
[副]
all the time
attic
(屋根裏部屋)
[名]
a space inside and below the roof of a house
shed
(小屋)
[名]
a small building, typically made of wood and used for storage
with alarming frequency
(驚くほど頻繁に)
[副]
so often that it is worrying
poker
(火かき棒)
[名]
a metal rod with a handle, used for stirring a fire
lay about
(散乱する)
[動]
be lying around
promiscuously
(無差別に)
[副]
in a way that is not careful or selective
この熱病が続く間、家族は常に大火事を恐れて暮らしていた。というのも、木が燃える匂いが四六時中家中に漂い、屋根裏部屋や小屋から煙が驚くほど頻繁に出て、真っ赤に焼けた火かき棒が散乱していたからだ。ハンナは火事になった場合に備えて、水の入ったバケツと食事用のベルをドアのところに置かずには寝なかった。
Raphael’s face was found boldly executed on the underside of the moulding board, and Bacchus on the head of a beer barrel.
Raphael
(ラファエロ)
[名]
a famous Italian painter
boldly
(大胆に)
[副]
in a confident and courageous manner
execute
(描く)
[動]
carry out or put into effect
underside
(裏側)
[名]
the bottom or lower side of something
moulding board
(成形板)
[名]
a board used to shape dough
Bacchus
(バッカス)
[名]
the Roman god of wine
beer barrel
(ビール樽)
[名]
a barrel used to store beer
ラファエロの顔は、成形板の裏側に大胆に描かれ、バッカスはビール樽の頭に描かれていた。
A chanting cherub adorned the cover of the sugar bucket, and attempts to portray Romeo and Juliet supplied kindling for some time.
portray
(描く)
[動]
to represent in a picture or sculpture
supply
(供給する)
[動]
to make available
kindling
(火種)
[名]
small pieces of wood or other material used for starting a fire
歌う天使が砂糖入れの蓋を飾り、ロミオとジュリエットを描こうとしたことがしばらくの間、火種となった。
From fire to oil was a natural transition for burned fingers, and Amy fell to painting with undiminished ardor.
transition
(移行)
[名]
the process or a period of changing from one state or condition to another
burn
(火傷する)
[動]
be injured or damaged by fire or heat
undiminished
(衰えることのない)
[形]
not reduced in size, amount, or value
ardor
(情熱)
[名]
strong and barely controllable emotion
火から油へは、火傷した指には自然な移行であり、エイミーは衰えることのない情熱で絵を描き始めた。
An artist friend fitted her out with his castoff palettes, brushes, and colors, and she daubed away, producing pastoral and marine views such as were never seen on land or sea.
fit out
(貸す)
[動]
supply with something
castoff
(使い古した)
[形]
no longer wanted or needed
palette
(パレット)
[名]
a thin, usually wooden board or tablet on which an artist arranges and mixes paints
daub
(描き出す)
[動]
paint or cover roughly or crudely
marine
(海の)
[形]
of or relating to the sea
ある芸術家の友人が、使い古したパレット、筆、絵の具を彼女に貸してくれて、彼女は陸や海では見たこともないような牧歌的な風景や海の景色を描き出した。
Her monstrosities in the way of cattle would have taken prizes at an agricultural fair, and the perilous pitching of her vessels would have produced seasickness in the most nautical observer, if the utter disregard to all known rules of shipbuilding and rigging had not convulsed him with laughter at the first glance.
cattle
(牛)
[名]
a large domesticated ungulate
monstrosity
(怪物)
[名]
something that is outrageously or hideously ugly or distorted
agricultural fair
(農業博覧会)
[名]
a fair that is focused on agriculture
prize
(賞)
[名]
a reward for winning a competition
pitching
(ピッチング)
[名]
the action of throwing something
vessel
(船)
[名]
a ship or large boat
seasickness
(船酔い)
[名]
a feeling of nausea and dizziness caused by the motion of a ship
observer
(観察者)
[名]
a person who observes something
utter
(完全な)
[形]
complete or total
disregard
(無視)
[名]
the action of ignoring someone or something
shipbuilding
(造船)
[名]
the construction of ships
rigging
(索具)
[名]
the system of ropes, cables, and chains employed to support a ship's masts and control or work its sails
convulse
(笑い転げる)
[動]
to shake or cause to shake with laughter
first glance
(一目)
[名]
a quick or cursory look
彼女の牛の怪物は農業博覧会で賞をとっただろうし、彼女の船の危険なピッチングは、造船と索具のすべての既知のルールを完全に無視して、一目見ただけで笑い転げなければ、最も航海に詳しい観察者でも船酔いを引き起こしただろう。
Swarthy boys and dark-eyed Madonnas, staring at you from one corner of the studio, suggested Murillo;
Swarthy
(浅黒い)
[形]
dark-complexioned
dark-eyed
(黒い目の)
[形]
having dark eyes
Madonna
(マドンナ)
[名]
the mother of Jesus
studio
(スタジオ)
[名]
a place where an artist works
suggest
(連想させる)
[動]
cause to think of or call to mind
スタジオの片隅からあなたを見つめる浅黒い少年たちと黒い目のマドンナたちは、ムリーリョを連想させた。
oily brown shadows of faces with a lurid streak in the wrong place, meant Rembrandt;
oily
(油絵の具の)
[形]
containing or covered with oil
lurid
(不自然な)
[形]
causing shock or horror; sensational
streak
(筋)
[名]
a long, thin mark or band of a different color or substance
Rembrandt
(レンブラント)
[名]
a Dutch painter and etcher of the 17th century
油絵の具の茶色い影が顔に不自然な筋を描き、レンブラントを連想させた。
buxom ladies and dropiscal infants, Rubens;
buxom
(豊満な)
[形]
(of a woman) plump and attractive
dropiscal
(水腫の)
[形]
of or relating to dropsy
Rubens
(ルーベンス)
[名]
a Flemish painter
豊満な女性と水腫の幼児はルーベンス。
and Turner appeared in tempests of blue thunder, orange lightning, brown rain, and purple clouds, with a tomato-colored splash in the middle, which might be the sun or a bouy, a sailor’s shirt or a king’s robe, as the spectator pleased.
Turner
(ターナー)
[名]
Joseph Mallord William Turner, an English Romantic landscape painter
thunder
(雷)
[名]
the loud noise caused by lightning
orange
(オレンジ色の)
[形]
of the color intermediate between red and yellow, as of an orange
lightning
(稲妻)
[名]
a flash of light produced by an electrical discharge of very short duration and high voltage
tomato
(トマト)
[名]
a glossy red or yellow fruit with a juicy pulp, eaten as a vegetable
bouy
(ブイ)
[名]
a floating object that is anchored to the bottom of a body of water to mark a channel, hazard, or other feature
shirt
(シャツ)
[名]
a garment for the upper body made of cotton or a similar fabric, with a collar, sleeves, and buttons down the front
ターナーは青い雷、オレンジ色の稲妻、茶色の雨、紫の雲の嵐の中に現れ、真ん中にトマト色の水しぶきがあり、それは太陽やブイ、船乗りのシャツや王のローブなど、見る人の好みに合わせて描かれていた。
Charcoal portraits came next, and the entire family hung in a row, looking as wild and crocky as if just evoked from a coalbin.
charcoal
(木炭)
[名]
a black or dark gray porous solid consisting of carbon obtained by heating wood or other organic matter in the absence of air
crocky
(奇妙な)
[形]
strange or unusual
次に木炭画の肖像画が現れ、家族全員が一列に並んで吊るされ、まるで石炭箱から呼び起こされたかのようにワイルドで奇妙に見えた。
Softened into crayon sketches, they did better, for the likenesses were good, and Amy’s hair, Jo’s nose, Meg’s mouth, and Laurie’s eyes were pronounced ‘wonderfully fine’.
crayon
(クレヨン)
[名]
a stick of colored wax, chalk, or charcoal used for drawing
pronounce
(評される)
[動]
declare or announce officially or formally
クレヨンのスケッチに柔らかく描かれた肖像画は、似顔絵がうまく描かれていて、エイミーの髪、ジョーの鼻、メグの口、ローリーの目は「素晴らしく美しい」と評された。
A return to clay and plaster followed, and ghostly casts of her acquaintances haunted corners of the house, or tumbled off closet shelves onto people’s heads.
cast
(石膏像)
[名]
a copy of a sculpture made by taking a mold of the original and filling it with a hard material
acquaintance
(知人)
[名]
a person one knows slightly
その後、粘土と石膏に戻り、彼女の知人の幽霊のような石膏像が家の隅に出没したり、クローゼットの棚から落ちて人の頭の上に落ちたりした。
Children were enticed in as models, till their incoherent accounts of her mysterious doings caused Miss Amy to be regarded in the light of a young ogress.
entice
(誘い込む)
[動]
attract by offering pleasure or advantage
model
(モデル)
[名]
a person who poses for an artist, photographer, or sculptor
doing
(行動)
[名]
something that is done
ogress
(鬼女)
[名]
a female monster
子供たちがモデルとして誘い込まれ、エイミーの不可解な行動について支離滅裂な説明を繰り返したため、エイミーは若い鬼女のような目で見られるようになった。
Her efforts in this line, however, were brought to an abrupt close by an untoward accident, which quenched her ardor.
line
(方面)
[名]
a direction or course
abrupt
(突然の)
[形]
sudden and unexpected
close
(終わり)
[名]
the end of something
untoward
(不幸な)
[形]
inappropriate or undesirable
quench
(冷める)
[動]
to put out a fire or a light
しかし、この方面での彼女の努力は、不幸な事故によって突然終わりを告げ、彼女の情熱は冷めてしまった。
Other models failing her for a time, she undertook to cast her own pretty foot, and the family were one day alarmed by an unearthly bumping and screaming and running to the rescue, found the young enthusiast hopping wildly about the shed with her foot held fast in a pan full of plaster, which had hardened with unexpected rapidity.
unearthly
(この世のものとは思えない)
[形]
not of this world; supernatural
bump
(衝突)
[名]
a collision or impact
enthusiast
(熱狂者)
[名]
a person who is very interested in a particular activity or subject
wildly
(狂ったように)
[副]
in a wild or uncontrolled manner
rapidity
(速さ)
[名]
the quality or state of being rapid
他のモデルがしばらく彼女を失敗させたので、彼女は自分のきれいな足をキャストすることを引き受け、家族はある日、この世のものとは思えないような衝突と叫び声に驚いて救助に駆けつけ、若い熱狂者が小屋の中を狂ったように飛び跳ねているのを発見した。
With much difficulty and some danger she was dug out, for Jo was so overcome with laughter while she excavated that her knife went too far, cut the poor foot, and left a lasting memorial of one artistic attempt, at least.
with much difficulty
(非常に困難で)
[副]
with great difficulty
some danger
(危険な目に遭いながら)
[名]
a situation that is dangerous
be dug out
(掘り出された)
[動]
be excavated
be overcome with
(~でいっぱいになる)
[動]
be overwhelmed with
she excavated
(掘り起こしている)
[動]
she dug
that
(あまりに)
[接]
so that
her knife
(ナイフ)
[名]
a cutting instrument with a blade and a handle
go too far
(行き過ぎる)
[動]
go beyond what is acceptable
a lasting memorial
(永続的な記念碑)
[名]
a monument that will last for a long time
artistic
(芸術的)
[形]
concerned with art or artists
彼女は非常に困難で危険な目に遭いながら掘り出されたが、ジョーは掘り起こしている間に笑いすぎてナイフが行き過ぎてかわいそうな足を切ってしまい、少なくとも一つの芸術的試みの永続的な記念碑を残してしまった。
After this Amy subsided, till a mania for sketching from nature set her to haunting river, field, and wood, for picturesque studies, and sighing for ruins to copy.
after this
(この後)
[副]
after this time
nature
(自然)
[名]
the physical world and everything in it
haunting
(探し求める)
[動]
visit frequently
sigh
(探し求める)
[動]
emit a long, deep, audible breath expressing sadness, tiredness, relief, or a similar feeling
この後、エイミーは落ち着きを取り戻し、自然からスケッチする熱狂が彼女を川、野原、森に連れて行き、絵のような研究をし、コピーする遺跡を探し求めるまでになった。
She caught endless colds sitting on damp grass to book ‘a delicious bit’, composed of a stone, a stump, one mushroom, and a broken mullein stalk, or ‘a heavenly mass of clouds’, that looked like a choice display of featherbeds when done.
catch
(ひく)
[動]
become infected with
book
(予約する)
[動]
arrange for and pay for in advance
bit
(一口)
[名]
a small piece, part, or amount
compose
(できている)
[動]
be made up of
stump
(切り株)
[名]
the bottom part of a tree that is left standing after the main part has been cut down
mushroom
(キノコ)
[名]
an umbrella-shaped fungus growing in the ground, on wood, or on decaying matter
broken
(折れた)
[形]
having been fractured or damaged
mullein
(モウズイカ)
[名]
a tall plant with hairy leaves and yellow flowers
stalk
(茎)
[名]
the main stem of a plant
mass
(塊)
[名]
a large number of people or things
featherbed
(羽毛布団)
[名]
a bed with a mattress filled with feathers
choice
(展示品)
[名]
an act of choosing
彼女は湿った草の上に座って、石、切り株、キノコ、折れたモウズイカの茎でできた「おいしい一口」や、完成すると羽毛布団の展示品のように見える「天国の雲の塊」を予約するために、延々と風邪をひいていた。
She sacrificed her complexion floating on the river in the midsummer sun to study light and shade, and got a wrinkle over her nose trying after ‘points of sight’, or whatever the squint-and-string performance is called.
midsummer
(真夏)
[名]
the middle of summer
shade
(影)
[名]
comparative darkness and coolness caused by shelter from direct sunlight
point of sight
(視点)
[名]
the position from which something is observed
squint
(斜視)
[名]
a condition in which the eyes are not properly aligned with each other
string
(弦)
[名]
a thin piece of wire or other material used on a musical instrument
彼女は真夏の太陽の下で川に浮かんで、明暗を研究するために顔色を犠牲にし、「視点」や斜視と弦の演奏と呼ばれるものを追いかけて鼻にしわを寄せた。
She was learning, doing, and enjoying other things, meanwhile, for she had resolved to be an attractive and accomplished woman, even if she never became a great artist.
その間、彼女は他の事を学び、行い、楽しんでいた。なぜなら、彼女は偉大な芸術家にはならなくても、魅力的で教養のある女性になろうと決意していたからだ。
Here she succeeded better, for she was one of those happily created beings who please without effort, make friends everywhere, and take life so gracefully and easily that less fortunate souls are tempted to believe that such are born under a lucky star.
everywhere
(どこでも)
[副]
in all places or situations
less fortunate
(恵まれない)
[形]
having little or no luck
tempted
(信じたくなる)
[動]
be strongly attracted to something
lucky
(幸運な)
[形]
having, bringing, or resulting from good luck
ここで彼女はより成功した。なぜなら、彼女は努力せずに喜び、どこでも友達を作り、優雅に簡単に人生を歩む幸せに創造された存在の一人であり、恵まれない魂はそのような人が幸運の星の下に生まれたと信じたくなるような人だったからだ。
Everybody liked her, for among her good gifts was tact.
誰もが彼女を好きだった。なぜなら、彼女の良い贈り物の中に機転があったからだ。
She had an instinctive sense of what was pleasing and proper, always said the right thing to the right person, did just what suited the time and place, and was so self-possessed that her sisters used to say, “If Amy went to court without any rehearsal beforehand, she’d know exactly what to do.”
have an instinctive sense of
(本能的な感覚がある)
[動]
to have a natural ability to do something
pleasing
(喜ばしい)
[形]
giving or capable of giving joy or pleasure
go to court
(法廷に行く)
[動]
to appear in a court of law
rehearsal
(予行演習)
[名]
a practice or trial performance of a play, concert, etc., in preparation for a public presentation
exactly
(正確に)
[副]
in a precise and accurate manner
彼女には何が喜ばしく適切かについて本能的な感覚があり、いつも正しい人に正しいことを言い、時と場所に合ったことだけをし、とても落ち着いていたので、姉妹たちは「エイミーが事前に予行演習なしに法廷に行ったら、彼女は何をすべきか正確に分かるだろう」と言っていた。
One of her weaknesses was a desire to move in ‘our best society’, without being quite sure what the best really was.
weakness
(弱点)
[名]
a quality or feature regarded as a disadvantage or fault
move
(移る)
[動]
change from one place to another
彼女の弱点の一つは、最高のものが本当に何であるかよくわからないまま、「私たちの最高の社会」に移りたいという願望だった。
Money, position, fashionable accomplishments, and elegant manners were most desirable things in her eyes, and she liked to associate with those who possessed them, often mistaking the false for the true, and admiring what was not admirable.
desirable
(望ましい)
[形]
worth having or wanting
associate
(付き合う)
[動]
join or connect
false
(偽物)
[形]
not true or genuine
お金、地位、流行の功績、優雅なマナーは彼女の目には最も望ましいものであり、彼女はそれらを持っている人と付き合うのが好きで、しばしば偽物を本物と間違え、賞賛に値しないものを賞賛した。
Never forgetting that by birth she was a gentlewoman, she cultivated her aristocratic tastes and feelings, so that when the opportunity came she might be ready to take the place from which poverty now excluded her.
by birth
(生まれながらに)
[副]
by being born
gentlewoman
(上品な女性)
[名]
a woman of good breeding
take
(就く)
[動]
move into a specified position
exclude
(除外する)
[動]
keep or shut out; prevent from entering
生まれながらに上品な女性であることを忘れず、貴族的な趣味や感覚を養い、機会が来れば貧困から除外された場所に就く準備ができるようにしていた。
“Our drawing class breaks up next week, and before the girls separate for the summer, I want to ask them out here for a day.
drawing class
(絵のクラス)
[名]
a class where people learn how to draw
break up
(終わる)
[動]
come to an end
ask out
(招待する)
[動]
invite someone to go out with you
「私たちの絵のクラスは来週終わり、夏休みに入る前に、みんなをここに招待したいの。
They are wild to see the river, sketch the broken bridge, and copy some of the things they admire in my book.
broken
(壊れた)
[形]
no longer working or in one piece
みんな川を見たり、壊れた橋をスケッチしたり、私の本の中で気に入ったものをいくつか写したいと思っているの。
They have been very kind to me in many ways, and I am grateful, for they are all rich and I know I am poor, yet they never made any difference.”
in many ways
(いろいろな面で)
[副]
in a variety of ways
be grateful
(感謝する)
[動]
be thankful
be rich
(裕福である)
[動]
having a great deal of money or property
be poor
(貧乏である)
[動]
having little or no money or property
make a difference
(変えようとする)
[動]
cause a change
みんないろいろな面で私にとても親切にしてくれていて、感謝しているよ。みんな裕福で、私は貧乏だとわかっているのに、みんなは何も変えようとしないの。」
“You know as well as I that it does make a difference with nearly everyone, so don’t ruffle up like a dear, motherly hen, when your chickens get pecked by smarter birds.
make a difference
(違いを生む)
[動]
have an effect or impact
ruffle up
(羽を逆立てる)
[動]
to make or become untidy
chicken
(ひよこ)
[名]
a young bird
smarter
(賢い)
[形]
having or showing intelligence, especially of a high level
「あなたも私と同じように、ほとんどの人にとってそれが違いを生むことを知っているよ。だから、あなたのひよこが賢い鳥につつかれたときに、愛する母親のようなめんどりのように羽を逆立てないで。
The ugly duckling turned out a swan, you know.”
ugly duckling
(醜いアヒルの子)
[名]
a person who is not attractive or popular when young but who later becomes very attractive or popular
turn out
(なる)
[動]
to become or develop into
swan
(白鳥)
[名]
a large water bird with a long neck
醜いアヒルの子が白鳥になったようにね。」
and Amy smiled without bitterness, for she possessed a happy temper and hopeful spirit.
そしてエイミーは苦々しさもなく微笑んだ。彼女は幸せな気質と希望に満ちた精神の持ち主だったからだ。
“Why in the world should you spend your money, worry your family, and turn the house upside down for a parcel of girls who don’t care a sixpence for you?
in the world
(いったい)
[副]
used to express surprise, anger, or emphasis
sixpence
(6ペンス)
[名]
a small British coin worth six pennies
「いったいどうして、あなたを少しも気にかけていない女の子たちのために、お金を使い、家族を心配させ、家をひっくり返すようなことをするのか?
I thought you had too much pride and sense to truckle to any mortal woman just because she wears French boots and rides in a coupe,” said Jo, who, being called from the tragic climax of her novel, was not in the best mood for social enterprises.
sense
(分別)
[名]
a feeling that something is the case
truckle
(媚びを売る)
[動]
be subservient to
mortal
(どんな)
[形]
subject to death
coupe
(クーペ)
[名]
a car with a fixed roof, two doors, and a sloping rear
tragic
(悲劇的な)
[形]
causing great suffering, pain, or unhappiness
social
(社交的な)
[形]
involving interaction with other people
enterprise
(催し)
[名]
a project or undertaking, typically one that is difficult or requires effort
あなたはプライドも分別もあって、フランス製のブーツを履いてクーペに乗っているというだけで、どんな女性にも媚びを売るようなことはしないと思っていたのに」とジョーは言ったが、彼女は小説の悲劇的なクライマックスから呼び出され、社交的な催しには最適な気分ではなかったのである。
“I don’t truckle, and I hate being patronized as much as you do!” returned Amy indignantly, for the two still jangled when such questions arose.
truckle
(媚び売る)
[動]
be subservient or obsequious
patronize
(上から目線でする)
[動]
treat in a condescending manner
「媚び売りなんてしないし、あなたと同じくらい上から目線でされるのは嫌い!」とエイミーは憤慨して言い返したが、そのような問題が起こると、二人はいつも言い争いになった。
“The girls do care for me, and I for them, and there’s a great deal of kindness and sense and talent among them, in spite of what you call fashionable nonsense.
「あの子たちは私を気にかけてくれるし、私もあの子たちを気にかけているし、あなたが言うところの流行のナンセンスにもかかわらず、あの子たちの中には優しさや分別や才能がたくさんある。
You don’t care to make people like you, to go into good society, and cultivate your manners and tastes.
go into
(出入りする)
[動]
enter
cultivate
(磨く)
[動]
refine or improve
あなたは人に好かれようとしたり、上流社会に出入りしたり、マナーや趣味を磨いたりしようとしない。
I do, and I mean to make the most of every chance that comes.
make the most of
(最大限に生かす)
[動]
to use something in the best possible way
私はそうするし、どんなチャンスも最大限に生かすつもりだ。
You can go through the world with your elbows out and your nose in the air, and call it independence, if you like.
go through
(渡り歩く)
[動]
travel through or across
あなたは肘を張り、鼻を高くして世の中を渡り歩き、それを独立と呼ぶこともできる。
That’s not my way.”
それは私のやり方ではない。」
When Amy had whetted her tongue and freed her mind she usually got the best of it, for she seldom failed to have common sense on her side, while Jo carried her love of liberty and hate of conventionalities to such an unlimited extent that she naturally found herself worsted in an argument.
whet
(研ぎ澄ます)
[動]
sharpen
get the best of
(得る)
[動]
to defeat or outwit
common sense
(常識)
[名]
sound and prudent judgment based on a simple perception of the situation or facts
carry
(抱く)
[動]
to hold or support while moving
hate
(憎しみ)
[名]
a very strong feeling of dislike
unlimited
(無制限の)
[形]
without any limit
find oneself
(~だと気づく)
[動]
to discover or realize something about oneself
worsted
(負ける)
[動]
to be defeated or beaten
エイミーが舌を研ぎ澄まし、心を解放したとき、彼女はたいていその最善の部分を得た。なぜなら、彼女はめったに自分の側に常識を持ち合わせていなかったからだ。一方、ジョーは自由への愛と因習への憎しみを無制限に抱いていたため、当然のことながら議論では負けていた。
Amy’s definition of Jo’s idea of independence was such a good hit that both burst out laughing, and the discussion took a more amiable turn.
definition
(定義)
[名]
a statement of the exact meaning of a word, especially in a dictionary
good hit
(良いヒット)
[名]
a successful or well-received action or event
burst out laughing
(大笑いする)
[動]
to suddenly start laughing loudly
take a turn
(進む)
[動]
to change direction or course
エイミーのジョーの独立の考えの定義は非常に良いヒットだったので、二人とも大笑いし、議論はより友好的な方向に進んだ。
Much against her will, Jo at length consented to sacrifice a day to Mrs. Grundy, and help her sister through what she regarded as ‘a nonsensical business’.
much against one's will
(自分の意志に反して)
[副]
unwillingly
at length
(ついに)
[副]
after a long time
Mrs. Grundy
(グランディ夫人)
[名]
a character in the story
nonsensical
(無意味な)
[形]
having no meaning or making no sense
ジョーは自分の意志に反して、ついにグランディ夫人に一日を犠牲にして、彼女が「無意味な仕事」と考えていることを通して妹を助けることに同意した。
The invitations were sent, nearly all accepted, and the following Monday was set apart for the grand event.
following
(次の)
[形]
next in time or order
set apart
(用意する)
[動]
reserve for a special purpose
招待状が送られ、ほとんどすべてが受け入れられ、次の月曜日は盛大なイベントのために用意された。
Hannah was out of humor because her week’s work was deranged, and prophesied that “ef the washin’ and ironin’ warn’t done reg’lar, nothin’ would go well anywheres”.
out of humor
(機嫌が悪い)
[形]
not in a good mood
deranged
(狂った)
[形]
mentally ill
prophesy
(予言する)
[動]
predict the future
washin'
(洗濯)
[名]
the act of washing
ironin'
(アイロンがけ)
[名]
the act of ironing
warn't
(wasn't)
[動]
was not
done
(行われる)
[動]
performed or accomplished
reg'lar
(きちんと)
[形]
regular
nothin'
(何も)
[名]
nothing
anywheres
(どこも)
[副]
anywhere
ハンナは週の仕事が狂ってしまったので機嫌が悪く、「洗濯とアイロンがけがきちんと行われなければ、どこもうまくいかない」と予言した。
This hitch in the mainspring of the domestic machinery had a bad effect upon the whole concern, but Amy’s motto was ‘Nil desperandum’, and having made up her mind what to do, she proceeded to do it in spite of all obstacles.
mainspring
(ぜんまい)
[名]
the principal or most important part of something
domestic
(家庭用)
[形]
of or relating to the home
hitch
(ひっかかり)
[名]
an unexpected difficulty or problem
bad effect
(悪影響)
[名]
a harmful or damaging effect
concern
(懸念)
[名]
a matter of interest or importance
家庭用機械のぜんまいのこのひっかかりは、全体に悪影響を及ぼしたが、エイミーのモットーは「絶望するな」であり、何をすべきかを決心した彼女は、あらゆる障害にもかかわらずそれを実行した。
To begin with, Hannah’s cooking didn’t turn out well.
to begin with
(そもそも)
[副]
in the first place
turn out
(うまくいく)
[動]
have a particular result
そもそもハンナの料理はうまくいかなかった。
The chicken was tough, the tongue too salty, and the chocolate wouldn’t froth properly.
chicken
(鶏肉)
[名]
the meat of a chicken
tough
(硬い)
[形]
strong and hard to break
salty
(塩辛い)
[形]
having a taste like that of salt
chocolate
(チョコレート)
[名]
a food made from roasted and ground cacao seeds
froth
(泡立つ)
[動]
to form or produce a mass of small bubbles
鶏肉は硬く、舌は塩辛く、チョコレートはきちんと泡立たなかった。
Then the cake and ice cost more than Amy expected, so did the wagon, and various other expenses, which seemed trifling at the outset, counted up rather alarmingly afterward.
expect
(予想する)
[動]
regard as likely to happen
outset
(最初)
[名]
the start or beginning of something
count up
(計算する)
[動]
add up
それからケーキとアイスはエイミーが予想したよりも高くつき、馬車もそうだったし、最初は些細なことに思えた他の様々な出費も、後で計算してみるとかなり驚くほどだった。
Beth got a cold and took to her bed.
get a cold
(風邪をひく)
[動]
catch a cold
take to one's bed
(寝込む)
[動]
go to bed because of illness
ベスは風邪をひいて寝込んだ。
Meg had an unusual number of callers to keep her at home, and Jo was in such a divided state of mind that her breakages, accidents, and mistakes were uncommonly numerous, serious, and trying.
caller
(訪問者)
[名]
a person who visits someone
be in
(いる)
[動]
be in a specified state
divided
(分裂した)
[形]
split into two or more parts
breakage
(破損)
[名]
the action of breaking something
numerous
(多い)
[形]
great in number; many
trying
(試練)
[形]
difficult to endure
メグは家にいるために異常に多くの訪問者があり、ジョーは心が分裂した状態だったので、彼女の破損、事故、間違いは異常に多く、深刻で、試練だった。
If it was not fair on Monday, the young ladies were to come on Tuesday, an arrangement which aggravated Jo and Hannah to the last degree.
fair
(晴れ)
[形]
(of weather) fine and dry
Tuesday
(火曜日)
[名]
the third day of the week
月曜日が晴れなければ、若い女性たちは火曜日に来ることになっていたが、この取り決めはジョーとハンナを極度に苛立たせた。
On Monday morning the weather was in that undecided state which is more exasperating than a steady pour.
on Monday morning
(月曜日の朝)
[名]
the morning of the day after Sunday
exasperating
(腹立たしい)
[形]
very annoying
steady
(降り続く)
[形]
regular, even, and continuous
pour
(雨)
[名]
a heavy and continuous rain
月曜日の朝、天気は雨が降り続くよりももっと腹立たしい、はっきりしない状態だった。
It drizzled a little, shone a little, blew a little, and didn’t make up its mind till it was too late for anyone else to make up theirs.
drizzle
(霧雨が降る)
[動]
rain lightly
shine
(日が差す)
[動]
be bright
blow
(風が吹く)
[動]
move or be moved by the wind
theirs
(自分たちの)
[代]
belonging to or connected with the people or things previously mentioned
少し霧雨が降り、少し日が差し、少し風が吹き、誰もが決心するには遅すぎるまで決心がつかなかった。
Amy was up at dawn, hustling people out of their beds and through their breakfasts, that the house might be got in order.
hustle
(追い出す)
[動]
move or cause to move energetically or rapidly
get in order
(整える)
[動]
arrange in a neat, tidy, or organized way
エイミーは夜明け前に起きて、家を整えるために人々をベッドから追い出し、朝食を済ませさせた。
The parlor struck her as looking uncommonly shabby, but without stopping to sigh for what she had not, she skillfully made the best of what she had, arranging chairs over the worn places in the carpet, covering stains on the walls with homemade statuary, which gave an artistic air to the room, as did the lovely vases of flowers Jo scattered about.
skillfully
(巧みに)
[副]
with skill or expertise
make the best of
(最大限に活用する)
[動]
to use something in the most effective way
worn
(すり切れた)
[形]
damaged or made thin by much use
homemade
(自家製の)
[形]
made in the home
statuary
(彫像)
[名]
a statue or a group of statues
scatter
(散りばめる)
[動]
throw around in an untidy way
客間は彼女には並外れてみすぼらしく見えたが、彼女はないもののためにため息をつくのを止めずに、カーペットのすり切れた場所に椅子を並べ、壁の汚れを自家製の彫像で覆い、部屋に芸術的な雰囲気を与え、ジョーが散りばめた美しい花瓶もそうだった。
The lunch looked charming, and as she surveyed it, she sincerely hoped it would taste well, and that the borrowed glass, china, and silver would get safely home again.
survey
(調べる)
[動]
examine and record the area and features of (an area of land)
昼食は魅力的に見え、彼女はそれを調べながら、それがおいしく、借りたガラス、陶器、銀が再び無事に家に帰ることを心から望んだ。
The carriages were promised, Meg and Mother were all ready to do the honors, Beth was able to help Hannah behind the scenes, Jo had engaged to be as lively and amiable as an absent mind, and aching head, and a very decided disapproval of everybody and everything would allow, and as she wearily dressed, Amy cheered herself with anticipations of the happy moment when, lunch safely over, she should drive away with her friends for an afternoon of artistic delights, for the ‘cherry bounce’ and the broken bridge were her strong points.
absent mind
(ぼんやりした頭)
[名]
a state of mental distraction
aching head
(痛む頭)
[名]
a headache
disapproval
(不承認)
[名]
an expression or statement of disapproval
wearily
(疲れた)
[形]
feeling or showing extreme tiredness
anticipation
(期待)
[名]
the action of anticipating something; expectation or prediction
happy moment
(幸せな瞬間)
[名]
a moment of time in which one feels happy
drive away
(車で出かける)
[動]
leave a place in a vehicle
artistic delight
(芸術的な楽しみ)
[名]
pleasure derived from art or artistic creation
cherry bounce
(チェリーバウンス)
[名]
a liqueur made from cherries
broken bridge
(壊れた橋)
[名]
a bridge that is no longer in use or is in disrepair
馬車は約束され、メグとママはすべて名誉を与える準備ができており、ベスは舞台裏でハンナを助けることができ、ジョーはぼんやりした頭と痛む頭、そして誰もが非常にはっきりと不承認である限り、活発で愛想がよいことを約束し、エイミーは疲れた服を着て、昼食が無事に終わり、午後には芸術的な楽しみのために友達と一緒に車で出かけるべき幸せな瞬間を期待して自分を元気づけた。
Shrouded in a thick veil and armed with a genteel traveling basket, she departed, feeling that a cool drive would soothe her ruffled spirit and fit her for the labors of the day.
shroud
(包む)
[動]
cover or envelop completely
genteel
(上品な)
[形]
belonging to or characteristic of polite society
ruffled
(波立った)
[形]
having a rough or uneven surface
厚いベールに身を包み、上品な旅行かごを携えて、彼女は出発した。涼しいドライブが彼女の波立った精神を落ち着かせ、その日の労働に備えてくれるだろうと感じていた。
After some delay, the object of her desire was procured, likewise a bottle of dressing to prevent further loss of time at home, and off she drove again, well pleased with her own forethought.
after some delay
(少し遅れた後)
[副]
after a short period of time
object
(対象)
[名]
a thing that is being considered, discussed, or dealt with
procure
(調達する)
[動]
obtain by care, effort, or the use of special means
dressing
(ドレッシング)
[名]
a sauce for salads
prevent
(防ぐ)
[動]
keep from happening or arising
well pleased
(満足している)
[形]
very happy or satisfied
少し遅れた後、彼女の欲望の対象は、同様に家でそれ以上の時間の損失を防ぐためにドレッシングボトルを調達し、彼女は再び運転し、彼女自身の先見の明に満足していた。
As the omnibus contained only one other passenger, a sleepy old lady, Amy pocketed her veil and beguiled the tedium of the way by trying to find out where all her money had gone to.
passenger
(乗客)
[名]
a person who is traveling in a vehicle
sleepy
(眠そうな)
[形]
feeling a need to sleep
pocket
(ポケットに入れる)
[動]
put into a pocket
beguile
(退屈しのぎをする)
[動]
charm or enchant
tedium
(退屈)
[名]
the state of being bored or uninterested
乗合馬車には眠そうな老婦人しか乗客がいなかったので、エイミーはベールをポケットに入れ、自分のお金がどこに消えたのかを探して退屈しのぎをした。
So busy was she with her card full of refractory figures that she did not observe a newcomer, who entered without stopping the vehicle, till a masculine voice said, “Good morning, Miss March,” and, looking up, she beheld one of Laurie’s most elegant college friends.
figure
(数字)
[名]
a numerical symbol
vehicle
(車)
[名]
a means of transportation
masculine
(男性の)
[形]
having qualities or appearance regarded as characteristic of men
彼女は手に負えない数字でいっぱいのカードに忙しくしていたので、男性の声が「おはよう、ミス・マーチ」と言うまで、車を止めずに入ってきた新参者に気づかなかった。見上げると、ローリーの最も優雅な大学の友人の一人が見えた。
Fervently hoping that he would get out before she did, Amy utterly ignored the basket at her feet, and congratulating herself that she had on her new traveling dress, returned the young man’s greeting with her usual suavity and spirit.
fervently
(切に)
[副]
with great warmth or intensity
get out
(降りる)
[動]
leave a place
return
(応える)
[動]
give, send, or put back
suavity
(愛想のよさ)
[名]
the quality of being charming, graceful, or polite
彼が自分より先に降りてくれることを切に願いながら、エイミーは足元のかごを無視し、新しい旅行服を着ていることを祝福し、いつもの愛想のよさと元気で青年の挨拶に応えた。
They got on excellently, for Amy’s chief care was soon set at rest by learning that the gentleman would leave first, and she was chatting away in a peculiarly lofty strain, when the old lady got out.
excellently
(うまく)
[副]
very well
set at rest
(安心する)
[動]
to make or become calm or quiet
lofty
(高尚な)
[形]
of high moral or intellectual value
strain
(緊張)
[名]
a state of mental or emotional tension
彼らはうまくやっていた、エイミーの主な心配は、紳士が最初に去ることを知ることによってすぐに休息に設定され、彼女は老婦人が降りたときに、独特の高尚な緊張で離れておしゃべりしていた。
In stumbling to the door, she upset the basket, and—oh horror!—the lobster, in all its vulgar size and brilliancy, was revealed to the highborn eyes of a Tudor!
stumble
(よろめく)
[動]
walk or move unsteadily, as if about to fall
horror
(恐ろしいこと)
[名]
an intense feeling of fear, shock, or disgust
size
(大きさ)
[名]
the physical magnitude of something
brilliancy
(輝き)
[名]
the quality of being bright and radiant
reveal
(さらされる)
[動]
make (something) known or apparent
highborn
(高貴な)
[形]
of noble birth
ドアまでよろめきながら歩いていくと、彼女はかごをひっくり返してしまった。そして、なんと恐ろしいことに、ロブスターがその下品な大きさと輝きをもって、チューダー家の高貴な目にさらされてしまったのだ。
She did not mention this meeting at home (though she discovered that, thanks to the upset, her new dress was much damaged by the rivulets of dressing that meandered down the skirt), but went through with the preparations which now seemed more irksome than before, and at twelve o’clock all was ready again.
mention
(話す)
[動]
to speak about something
upset
(動揺)
[名]
a state of being unhappy or disappointed
damage
(傷つく)
[動]
to cause harm or injury to
rivulet
(小川)
[名]
a small stream
meander
(流れ落ちる)
[動]
to follow a winding course
go through
(終える)
[動]
to experience or endure something
twelve o'clock
(12時)
[名]
the time that is one hour after eleven o'clock and one hour before one o'clock
彼女はこの出会いを家では話さなかったが(動揺のおかげで、新しいドレスがスカートを流れ落ちるドレッシングの小川によってかなり傷ついていることに気づいたが)、今では以前よりも厄介に思える準備を終え、12時にはすべてが再び準備が整った。
Feeling that the neighbors were interested in her movements, she wished to efface the memory of yesterday’s failure by a grand success today, so she ordered the ‘cherry bounce’, and drove away in state to meet and escort her guests to the banquet.
efface
(消し去る)
[動]
wipe out
escort
(案内する)
[動]
accompany a person in order to protect or guard them
banquet
(宴会)
[名]
a large formal dinner party
近所の人たちが自分の行動に興味を持っていると感じた彼女は、昨日の失敗の記憶を今日の大成功で消し去りたいと思い、「チェリー・バウンス」を注文し、客を迎えて宴会に案内するために堂々と車を走らせた。
“There’s the rumble, they’re coming!
rumble
(音)
[名]
a low, heavy, continuous sound like that of thunder or heavy traffic
「音がする、彼らが来ている!
I’ll go onto the porch and meet them.
go onto
(行く)
[動]
move or travel toward or into
私はポーチに行って彼らに会おう。
It looks hospitable, and I want the poor child to have a good time after all her trouble,” said Mrs. March, suiting the action to the word.
poor
(あの子)
[形]
unfortunate
action
(行動)
[名]
the fact or process of doing something
歓迎されているように見えるし、あの子は苦労した後だから、楽しい時間を過ごして欲しいよ」とマーチ夫人は言葉通りに行動した。
But after one glance, she retired, with an indescribable expression, for looking quite lost in the big carriage, sat Amy and one young lady.
lost
(迷子)
[形]
unable to find one's way
しかし、一目見た後、彼女は言葉では言い表せない表情で退散した。大きな馬車の中で迷子になったように見えるエイミーと一人の若い女性が座っていたからだ。
In came Amy, quite calm and delightfully cordial to the one guest who had kept her promise.
delightfully
(とても)
[副]
in a delightful manner
エイミーが入って来たが、彼女は約束を守った一人の客に対して、とても落ち着いていて、とても愛想がよかった。
The rest of the family, being of a dramatic turn, played their parts equally well, and Miss Eliott found them a most hilarious set, for it was impossible to control entirely the merriment which possessed them.
the rest of
(残りの)
[名]
the remaining part of
hilarious
(陽気な)
[形]
extremely funny
家族の残りの者たちも、劇的な転換期を迎えていたので、同じように自分の役を演じ、エリオット嬢は彼らが最も陽気な集団であることに気づいた。彼らを支配している陽気さを完全に抑えることは不可能だったからだ。
The remodeled lunch being gaily partaken of, the studio and garden visited, and art discussed with enthusiasm, Amy ordered a buggy (alas for the elegant cherry-bounce), and drove her friend quietly about the neighborhood till sunset, when ‘the party went out’.
buggy
(馬車)
[名]
a small horse-drawn vehicle
作り直した昼食を陽気に食べ、スタジオと庭を訪れ、熱心に芸術について話し合った後、エイミーは馬車を注文し(優雅なチェリーバウンスのために)、日没まで友人を静かに近所を案内し、「パーティーは終わった」。