“Anne,” said Davy, sitting up in bed and propping his chin on his hands, “Anne, where is sleep?
sleep
(眠り)
[名]
the natural state of rest in which consciousness practically disappears
「アン」デイビーはベッドに起き上がり、両手で顎を支えながら言った。「アン、眠りはどこにあるの?
People go to sleep every night, and of course I know it’s the place where I do the things I dream, but I want to know where it is and how I get there and back without knowing anything about it . . . and in my nighty too.
get
(行く)
[動]
move or travel to a place
nighty
(寝間着)
[名]
a nightgown
人は毎晩眠りにつくし、もちろんそこが夢を見ている場所だということは知っているけど、そこがどこにあるのか、どうやってそこへ行き、何も知らないまま戻ってくるのか知りたいんだ・・・しかも寝間着で。
Anne was kneeling at the west gable window watching the sunset sky that was like a great flower with petals of crocus and a heart of fiery yellow.
crocus
(クロッカス)
[名]
a small plant with bright purple, yellow, or white flowers that blooms in the spring
fiery
(燃えるような)
[形]
very hot or bright
アンは西の切妻窓に跪き、クロッカスの花びらと燃えるような黄色の中心部を持つ大きな花のような夕焼け空を眺めていた。
She turned her head at Davy’s question and answered dreamily,
turn one's head
(頭を向ける)
[動]
turn one's head to look in a different direction
彼女はデイビーの質問に頭を向け、夢見心地で答えた。
Paul Irving would have known the meaning of this, or made a meaning out of it for himself, if he didn’t;
make
(理解する)
[動]
form or produce
himself
(自分なりに)
[代]
the male person being discussed
ポール・アーヴィングならこの意味を知っているだろうし、もし知らなくても自分なりに意味を理解しただろう。
but practical Davy, who, as Anne often despairingly remarked, hadn’t a particle of imagination, was only puzzled and disgusted.
disgusted
(嫌悪感を抱く)
[形]
feeling or showing disgust
しかし、アンがしばしば絶望的に言うように、想像力のかけらもない現実的なデイビーは、ただ困惑し、嫌悪感を抱くだけだった。
“Oh, you are too little to understand,” said Anne.
「ああ、あなたは理解するには小さすぎるよ」とアンは言った。
But she felt rather ashamed of saying it;
しかし、彼女はそれを言うのが恥ずかしかった。
for had she not, in keen remembrance of many similar snubs administered in her own early years, solemnly vowed that she would never tell any child it was too little to understand?
had
(だった)
[助]
used in the past tense
she
(彼女)
[代]
a female person or animal that is being discussed
in
(で)
[前]
used to indicate a place, time, or situation
keen
(鮮明な)
[形]
having a strong feeling or interest
many
(多くの)
[形]
a large number of
snub
(冷遇)
[名]
an act of ignoring someone or something
administered
(受けた)
[動]
manage or be in charge of
her
(彼女)
[代]
a female person or animal that is being discussed
years
(頃)
[名]
a period of twelve months
vowed
(誓った)
[動]
make a solemn promise
that
(と)
[接]
used to introduce a statement or question
to
(には)
[前]
used to indicate a place, time, or situation
彼女は幼い頃に受けた同じような冷遇を鮮明に覚えていたので、理解するには小さすぎると子供に言うことは絶対にないと厳かに誓ったではないか?
Yet here she was doing it . . . so wide sometimes is the gulf between theory and practice.
do
(言う)
[動]
say
wide
(広い)
[形]
having a large distance from one side to the other
gulf
(溝)
[名]
a deep gap or opening
practice
(実践)
[名]
the actual application or use of an idea, belief, or method, as opposed to theories about such application or use
それでも彼女はそれを言っていた・・・理論と実践の間の溝は時々とても広い。
“If you mean economical, it’s a very different thing from being stingy.
economical
(節約家)
[形]
using money or other resources in a careful and efficient way
「もしも節約家のことを言っているのなら、それはケチとは全く違うよ。
It is an excellent trait in a person if she is economical.
trait
(性質)
[名]
a distinguishing characteristic or quality
節約家であることは、人間の素晴らしい性質なのよ。
If Marilla had been stingy she wouldn’t have taken you and Dora when your mother died.
be stingy
(ケチである)
[動]
not generous; not willing to give or spend money
もしもマリラがケチだったら、お母さんが亡くなった時にあなたとドラを引き取らなかったでしょう。
Would you have liked to live with Mrs. Wiggins?”
like
(思う)
[動]
be fond of; have a liking for
ウィギンズ夫人と一緒に住みたいと思う?」
“You just bet I wouldn’t!” Davy was emphatic on that point.
bet
(賭ける)
[動]
risk something, usually a sum of money, against someone else's on the basis of the outcome of a future event
emphatic
(断言する)
[形]
showing or giving emphasis; expressing something forcibly and clearly
「絶対嫌だ!」デイビーはその点については断言した。
“Nor I don’t want to go out to Uncle Richard neither.
Uncle Richard
(リチャードおじさん)
[名]
the brother of Anne's mother
「リチャードおじさんのところへも行きたくない。
I’d far rather live here, even if Marilla is that long-tailed word when it comes to jam, ’cause you’re here, Anne.
far rather
(ずっと)
[副]
to a much greater extent or degree
when it comes to
(ことになると)
[句]
in the case of
you’re
(いる)
[動]
be present
マリラがジャムのことになるとケチでも、私はずっとここに住みたいよ。だってアンがいるからね。
Say, Anne, won’t you tell me a story ’fore I go to sleep?
ねえ、アン、私が寝る前にお話してくれない?
I don’t want a fairy story.
fairy story
(おとぎ話)
[名]
a children's story about magical and imaginary beings and lands
おとぎ話は嫌いなんだ。
They’re all right for girls, I s’pose, but I want something exciting . . . lots of killing and shooting in it, and a house on fire, and in’trusting things like that.”
all right
(いい)
[形]
satisfactory or acceptable
killing
(殺し)
[名]
the act of causing someone or something to die
shooting
(銃撃)
[名]
the act of firing a gun
女の子にはいいと思うけど、私はもっと刺激的なのが欲しいんだ。殺しや銃撃がたくさんあって、家が燃えて、そういう面白いことがたくさんあるやつ。」
Anne ran to the east gable and saw flashes of light coming through the twilight from Diana’s window in groups of five, which meant, according to their old childish code, “Come over at once for I have something important to reveal.”
group
(5つずつ)
[名]
a collection of people or things
childish
(子供じみた)
[形]
of, like, or appropriate to a child
code
(暗号)
[名]
a system of words, letters, figures, or symbols used to represent others, especially for the purpose of secrecy
once
(すぐに)
[副]
at once; immediately
reveal
(話す)
[動]
make (something) known or public
アンは東の切妻に走り、ダイアナの窓から夕暮れを通して5つずつの光の点滅が見え、それは昔の子供じみた暗号によると「すぐに来てください。重要なことを話したいのです」という意味だった。
Anne threw her white shawl over her head and hastened through the Haunted Wood and across Mr. Bell’s pasture corner to Orchard Slope.
throw
(かぶる)
[動]
put on or over oneself
アンは白いショールを頭からかぶり、幽霊の森を抜けてベルさんの牧草地の角を横切ってオーチャード・スロープへ急いだ。
“I’ve good news for you, Anne,” said Diana.
good news
(いい知らせ)
[名]
a piece of information that is pleasant to hear
for you
(あなたに)
[前]
to or for you
「アン、いい知らせがあるよ」とダイアナは言った。
“Mother and I have just got home from Carmody, and I saw Mary Sentner from Spencer vale in Mr. Blair’s store.
「ママとカーモディから帰ってきたところなんだけど、ブレアさんの店でスペンサー・ヴェイルのメアリー・セントナーに会ったの。
She says the old Copp girls on the Tory Road have a willow-ware platter and she thinks it’s exactly like the one we had at the supper.
Tory Road
(トーリー街道)
[名]
a road in Avonlea
willow-ware
(柳細工)
[名]
a type of pottery that is decorated with a blue and white willow pattern
彼女が言うには、トーリー街道の老コップ姉妹が柳細工の大皿を持っていて、私たちが夕食に使ったのと全く同じだと思っているそうよ。
She says they’ll likely sell it, for Martha Copp has never been known to keep anything she could sell;
Martha Copp
(マーサ・コップ)
[名]
a person's name
彼女が言うには、彼女たちはそれを売るつもりらしいよ。マーサ・コップは売れるものは絶対に手放さないらしいの。
but if they won’t there’s a platter at Wesley Keyson’s at Spencervale and she knows they’d sell it, but she isn’t sure it’s just the same kind as Aunt Josephine’s.”
but if
(でも、もし)
[接]
used to introduce a statement that contrasts with or seems to contradict something that has been said previously
Wesley Keyson
(ウェズリー・キーソン)
[名]
a person's name
Spencervale
(スペンサー・ヴェイル)
[名]
a place name
she knows
(彼女は知っている)
[動]
to be aware of
they would sell it
(彼らがそれを売るだろう)
[動]
to give or hand over (something) in exchange for money
she isn't sure
(彼女はわからない)
[動]
to be uncertain about something
it is just the same kind
(それが全く同じ種類)
[名]
something that is identical to something else
Aunt Josephine
(ジョセフィンおばさん)
[名]
a person's name
でも、もし売らないとしても、スペンサー・ヴェイルのウェズリー・キーソンのところに大皿があって、彼女は彼らがそれを売るだろうと知っているんだけど、それがジョセフィンおばさんのと全く同じ種類かどうかはわからないそうよ。」
“I’ll go right over to Spencervale after it tomorrow,” said Anne resolutely, “and you must come with me.
go right over to
(すぐに行く)
[動]
go to a place immediately
「明日すぐにスペンサー・ヴェイルに行ってみよう」とアンは決意を込めて言った。「あなたも一緒に来なくちゃ。
It will be such a weight off my mind, for I have to go to town day after tomorrow and how can I face your Aunt Josephine without a willow-ware platter?
weight off one's mind
(心の重荷が軽くなる)
[名]
a feeling of relief
day after tomorrow
(明後日)
[名]
the day after tomorrow
willow-ware platter
(柳細工の大皿)
[名]
a large, flat dish made of willow
これで心の重荷が軽くなるよ。だって、私は明後日町に行かなければならないし、柳細工の大皿なしでどうやってあなたのジョセフィンおばさんに会えばいいの?
It would be even worse than the time I had to confess about jumping on the spare room bed.”
spare room
(空き部屋)
[名]
a room that is not currently being used
空き部屋のベッドで飛び跳ねたことを告白しなければならなかった時よりももっとひどいよ。」
Both girls laughed over the old memory . . . concerning which, if any of my readers are ignorant and curious, I must refer them to Anne’s earlier history.
concerning
(に関して)
[前]
about
reader
(読者)
[名]
someone who reads
ignorant
(知らない)
[形]
lacking knowledge or awareness in general
curious
(興味がある)
[形]
eager to know or learn something
refer
(参照する)
[動]
mention or allude to
earlier
(過去の)
[形]
happening or done before the usual or expected time
二人の少女は昔の思い出を笑い合った・・・もし私の読者のどなたかが知らないで興味があるなら、アンの過去の歴史を参照して頂きたい。
The next afternoon the girls fared forth on their platter hunting expedition.
fare forth
(出かける)
[動]
go forth; set out
hunting expedition
(遠征)
[名]
a journey of exploration, discovery, or research
翌日の午後、少女たちは大皿探しの遠征に出かけた。
It was ten miles to Spencervale and the day was not especially pleasant for traveling.
travel
(旅行)
[名]
the action of going from one place to another
スペンサーヴェイルまでは十マイルあり、その日は旅行には特に良い日ではなかった。
It was very warm and windless, and the dust on the road was such as might have been expected after six weeks of dry weather.
windless
(風がない)
[形]
without wind
six weeks
(六週間)
[名]
a period of six weeks
dry weather
(乾燥した天候)
[名]
weather that is free from rain, snow, or other forms of precipitation
とても暖かく、風もなく、道のほこりは六週間の乾燥した天候の後に予想されるようなものだった。
“Oh, I do wish it would rain soon,” sighed Anne.
「ああ、早く雨が降ればいいのに」とアンはため息をついた。
“Everything is so parched up.
be parched up
(乾ききっている)
[動]
be extremely dry
「何もかもがとても乾ききっているよ。
The poor fields just seem pitiful to me and the trees seem to be stretching out their hands pleading for rain.
pitiful
(哀れな)
[形]
deserving or arousing pity
stretch out
(伸ばす)
[動]
extend one's limbs or body
かわいそうな畑は私には哀れに見えるし、木々は雨を乞うように手を伸ばしているように見えるよ。
As for my garden, it hurts me every time I go into it.
私の庭は、行くたびに心が痛むよ。
I suppose I shouldn’t complain about a garden when the farmers’ crops are suffering so.
crop
(作物)
[名]
a plant that is grown in large quantities for food
suffer
(苦しむ)
[動]
experience or be subjected to something bad or unpleasant
農家の作物がこんなに苦しんでいるのに、庭の不平を言うべきではないよね。
Mr. Harrison says his pastures are so scorched up that his poor cows can hardly get a bite to eat and he feels guilty of cruelty to animals every time he meets their eyes.”
scorch
(焼け焦げる)
[動]
burn or be burned slightly
bite
(食べるもの)
[名]
the act of biting
feel guilty
(罪悪感を感じる)
[動]
experience a feeling of guilt
cruelty
(虐待)
[名]
behavior that causes pain or suffering to a person or animal
ハリソンさんは、牧草地があまりに焼け焦げているので、かわいそうな牛たちが食べるものがほとんどなく、牛たちの目を見るたびに動物虐待の罪悪感を感じると言っていたよ。」
After a wearisome drive the girls reached Spencervale and turned down the “Tory” Road . . . a green, solitary highway where the strips of grass between the wheel tracks bore evidence to lack of travel.
wearisome
(退屈な)
[形]
causing or likely to cause boredom or tedium
turn down
(曲がる)
[動]
change direction
solitary
(孤独な)
[形]
done or existing alone
highway
(ハイウェイ)
[名]
a main road, especially one connecting major towns or cities
track
(跡)
[名]
a mark or series of marks left by a person, animal, or vehicle
bear
(示す)
[動]
give or provide
lack
(不足)
[名]
the state or fact of not having enough of something
退屈なドライブの後、少女たちはスペンサーヴェイルに着き、「トーリー」ロードを曲がった・・・車輪の跡の間に草の帯が走行不足の証拠を示す緑の孤独なハイウェイ。
Along most of its extent it was lined with thick-set young spruces crowding down to the roadway, with here and there a break where the back field of a Spencervale farm came out to the fence or an expanse of stumps was aflame with fireweed and goldenrod.
line
(並ぶ)
[動]
form a line along
crowd
(群がる)
[動]
gather together in a large group
roadway
(道路)
[名]
a road
break
(切れ目)
[名]
an interruption in continuity
expanse
(広がり)
[名]
a wide area of something
fireweed
(ファイアウィード)
[名]
a plant with pink or purple flowers that grows in areas that have been burned
goldenrod
(ゴールデンロッド)
[名]
a plant with yellow flowers that grows in North America
その道のほとんどの部分に沿って、道路に群がる太い若いトウヒが並んでいて、スペンサーヴェイル農場の裏の畑がフェンスに出てきたり、切り株の広がりがファイアウィードやゴールデンロッドで燃え上がっているところがあった。
“Mr. Allan says it is on the principle of calling a place a grove because there are no trees in it,” said Diana, “for nobody lives along the road except the Copp girls and old Martin Bovyer at the further end, who is a Liberal.
Allan
(アラン)
[名]
a male given name
principle
(原理)
[名]
a fundamental truth or proposition that serves as the foundation for a system of belief or behavior or for a chain of reasoning
Copp
(コップ)
[名]
a family name
Martin Bovyer
(マーティン・ボヴィエ)
[名]
a male given name
Liberal
(リベラル)
[名]
a person who believes that government should be active in supporting social and political change
「アラン先生は、木がないから森と呼ぶのと同じ原理だと言ってるよ」とダイアナは言った。「コップ家の娘たちと、道の向こうに住むリベラル派のマーティン・ボヴィエ老人以外は誰も住んでいないよ。
The Tory government ran the road through when they were in power just to show they were doing something.”
government
(政権)
[名]
the group of people with authority to govern it
トーリー党政権は、何かをしていることを見せるために、政権を握っていた時に道を走らせたのよ。」
Finally the girls came to the old Copp homestead . . . a place of such exceeding external neatness that even Green Gables would have suffered by contrast.
come
(着く)
[動]
reach a destination
exceeding
(とても)
[形]
very great or intense
external
(外観)
[形]
belonging to or forming the outer surface or structure of something
neatness
(きれい)
[名]
the quality or condition of being neat
suffer
(見劣りする)
[動]
be worse or less good than something else
ついに少女たちは古いコップ家の農場に着いた・・・そこは外観がとてもきれいで、グリーン・ゲイブルズでさえ比べると見劣りしてしまうほどだった。
The house was a very old-fashioned one, situated on a slope, which fact had necessitated the building of a stone basement under one end.
necessitate
(必要とする)
[動]
make necessary
basement
(地下室)
[名]
a room or set of rooms in a house or other building that is below ground level
その家はとても古風な家で、斜面に建てられていたため、片方の端の下に石造りの地下室を造る必要があった。
The house and out-buildings were all whitewashed to a condition of blinding perfection and not a weed was visible in the prim kitchen garden surrounded by its white paling.
out-building
(離れ)
[名]
a building separate from but on the same property as a main building
whitewash
(白く塗る)
[動]
to cover with whitewash
perfection
(完璧)
[名]
the condition, state, or quality of being free or as free as possible from all flaws or defects
weed
(雑草)
[名]
a plant that is not valued where it is growing and is usually of vigorous growth
visible
(見える)
[形]
capable of being seen
prim
(清楚な)
[形]
(of a person or their manner) very proper, correct, and formal
kitchen garden
(家庭菜園)
[名]
a garden where fruit, vegetables, and herbs are grown for domestic use
家と離れはすべて白く塗られ、まばゆいばかりの完璧な状態になっており、白い柵に囲まれた清楚な家庭菜園には雑草一つ見えなかった。
“I don’t know what to do,” said Anne.
what to do
(どうしたらいいか)
[名]
the appropriate course of action
「どうしたらいいかわからないよ」アンは言った。
“If I were sure the platter was the right kind I would not mind waiting until they came home.
「この大皿が間違いなく正しいものなら、帰ってくるまで待ってもかまわないんだけど。
But if it isn’t it may be too late to go to Wesley Keyson’s afterward.”
be too late
(遅すぎる)
[動]
be past the time when something should have been done
Wesley Keyson's
(ウェズリー・キーソンのところ)
[名]
the place where Wesley Keyson is
でも、もし違っていたら、その後ウェズリー・キーソンのところに行くには遅すぎるかもしれないよ」
“That is the pantry window, I feel sure,” she said, “because this house is just like Uncle Charles’ at Newbridge, and that is their pantry window.
just like
(そっくり)
[副]
very similar to
Uncle Charles
(チャールズおじさん)
[名]
the uncle of the speaker
「あれが食器室の窓に違いないよ」と彼女は言った。「だって、この家はニューブリッジのチャールズおじさんの家とそっくりで、あそこが食器室の窓だもの。
The shade isn’t down, so if we climbed up on the roof of that little house we could look into the pantry and might be able to see the platter.
shade
(日よけ)
[名]
a place or area sheltered from direct sunlight
look into
(覗き込む)
[動]
investigate or examine
日よけが下りてないから、あの小さな家の屋根に登れば、食器室の中が見えるし、大皿も見えるかもしれないよ。
Do you think it would be any harm?”
do
(思う)
[動]
think
harm
(問題)
[名]
damage or injury
何か問題があると思う?」
This important point of ethics being settled, Anne prepared to mount the aforesaid “little house,” a construction of lathes, with a peaked roof, which had in times past served as a habitation for ducks.
ethics
(倫理)
[名]
the study of what is morally right or wrong
mount
(登る)
[動]
go up
aforesaid
(前述の)
[形]
mentioned previously
construction
(建物)
[名]
the process of building something
lathe
(旋盤)
[名]
a machine tool that rotates a workpiece about an axis of rotation to perform various operations such as cutting, sanding, knurling, drilling, or deformation with tools that are applied to the workpiec...
peaked
(尖った)
[形]
having a point
serve
(使われる)
[動]
perform a specified function
habitation
(住処)
[名]
a place where someone lives
この重要な倫理問題が解決したので、アンは前述の「小さな家」に登る準備をした。それは、かつてアヒルの住処として使われていた、尖った屋根のついた旋盤の建物だった。
The Copp girls had given up keeping ducks . . . “because they were such untidy birds”. . . and the house had not been in use for some years, save as an abode of correction for setting hens.
duck
(アヒル)
[名]
a type of water bird
setting hen
(抱卵する雌鶏)
[名]
a hen that is sitting on eggs
correction
(矯正)
[名]
the action of making something right
abode
(施設)
[名]
a place where someone lives
コップ家の娘たちはアヒルを飼うのを諦めた・・・「とてもだらしない鳥だったから」・・・そしてその家は、抱卵する雌鶏の矯正施設として以外は、何年も使われていなかった。
Although scrupulously whitewashed it had become somewhat shaky, and Anne felt rather dubious as she scrambled up from the vantage point of a keg placed on a box.
feel dubious
(疑わしく感じる)
[動]
feel doubtful or uncertain
vantage point
(見晴らしの良い場所)
[名]
a position or place that provides a good view of something
念入りに白塗りされていたが、ややぐらぐらしており、アンは箱の上に置かれた樽の見晴らしの良い場所からよじ登ったとき、かなり疑わしく感じた。
“Lean on the window sill,” advised Diana, and Anne accordingly leaned.
lean
(寄りかかる)
[動]
be in or move into a sloping position
window sill
(窓枠)
[名]
a piece of wood or stone forming the bottom part of a window
accordingly
(従って)
[副]
as a result; consequently
「窓枠に寄りかかって」とダイアナがアドバイスしたので、アンはそれに従って寄りかかった。
Much to her delight, she saw, as she peered through the pane, a willow-ware platter, exactly such as she was in quest of, on the shelf in front of the window.
much to one's delight
(とても嬉しい)
[副]
to one's great pleasure
peer
(覗き込む)
[動]
look intently or curiously
pane
(ガラス)
[名]
a sheet of glass in a window or door
quest
(探し求める)
[名]
a search or pursuit
彼女がガラス越しに覗き込むと、彼女が探し求めていたのと全く同じ柳細工の大皿が窓の前の棚にあるのが見えて、とても嬉しかった。
So much she saw before the catastrophe came.
catastrophe
(大惨事)
[名]
a sudden event, such as an accident or a natural disaster, that causes great damage or loss of life
大惨事が起こる前に彼女はそこまで見た。
In her joy Anne forgot the precarious nature of her footing, incautiously ceased to lean on the window sill, gave an impulsive little hop of pleasure . . . and the next moment she had crashed through the roof up to her armpits, and there she hung, quite unable to extricate herself.
precarious
(不安定な)
[形]
not securely held or in position; unstable
footing
(足場)
[名]
a secure position for the feet
incautiously
(不注意に)
[副]
without taking sufficient care
hop
(跳びはねる)
[動]
move by jumping on one foot
crash
(突き破る)
[動]
break or cause to break or collapse
armpit
(脇の下)
[名]
the hollow under the arm at the shoulder
hang
(ぶら下がる)
[動]
be suspended or held up
unable
(できない)
[形]
not having the necessary power, skill, or resources to do something
extricate
(抜け出す)
[動]
free from entanglement or difficulty
喜びのあまりアンは足場の不安定さを忘れ、不注意にも窓枠に寄りかかるのをやめ、喜びのあまり衝動的に小さく跳びはねた・・・そして次の瞬間、彼女は屋根を突き破って脇の下まで落ち、そこでぶら下がったまま、自分では抜け出せなくなってしまった。
Diana dashed into the duck house and, seizing her unfortunate friend by the waist, tried to draw her down.
duck house
(アヒル小屋)
[名]
a house for ducks
seize
(つかむ)
[動]
take hold of suddenly and forcibly
waist
(腰)
[名]
the part of the human body below the ribs and above the hips
draw
(引き下ろす)
[動]
move or cause to move to a lower position
ダイアナはアヒル小屋に飛び込み、不幸な友人の腰をつかんで引き下ろそうとした。
“Ow . . . don’t,” shrieked poor Anne.
「痛い・・・やめて」と哀れなアンは悲鳴を上げた。
“There are some long splinters sticking into me.
splinter
(破片)
[名]
a small, thin, sharp piece of wood, glass, or metal that has broken off from something
stick
(刺さる)
[動]
be or become embedded in something
「長い破片が刺さっているよ。
See if you can put something under my feet . . . then perhaps I can draw myself up.”
see if
(できるか見て)
[動]
try to do something
draw oneself up
(這い上がる)
[動]
to move oneself into a standing position
私の足の下に何か置けるか見て・・・そうすれば自分で這い上がれるかもしれないよ。」
Diana hastily dragged in the previously mentioned keg and Anne found that it was just sufficiently high to furnish a secure resting place for her feet.
previously
(先ほど)
[副]
earlier
keg
(樽)
[名]
a small barrel
furnish
(提供する)
[動]
supply or provide
secure
(安全な)
[形]
free from danger or threat
resting place
(休める場所)
[名]
a place where someone or something rests or is laid to rest
ダイアナは急いで先ほど述べた樽を引きずり、アンはそれが自分の足を安全に休める場所を提供するのに十分な高さであることを発見した。
But she could not release herself.
release
(抜け出す)
[動]
to set free
しかし、彼女は抜け出せなかった。
“No . . . the splinters hurt too badly.
「だめよ・・・破片がひどく痛むよ。
If you can find an axe you might chop me out, though.
chop
(切り出す)
[動]
cut with a sharp blow
でも、斧を見つけたら、私を切り出せるかもしれないよ。
Oh dear, I do really begin to believe that I was born under an ill-omened star.”
oh dear
(ああ)
[間]
an expression of surprise, disappointment, or disgust
begin to
(始める)
[動]
start to do something
ill-omened
(不吉な)
[形]
giving or indicating a bad omen
ああ、私は本当に自分が不吉な星の下に生まれたと信じ始めているよ。」
“No, indeed, you won’t,” said Anne vehemently.
vehemently
(激しく)
[副]
in a forceful, passionate, or intense manner
「いいえ、本当に、そうはさせません」とアンは激しく言った。
“If you do the story of this will get out everywhere and I shall be ashamed to show my face.
get out
(広まる)
[動]
become known
everywhere
(どこにでも)
[副]
in all places
「もしそうしたら、この話はどこにでも広まってしまうし、私は顔を出すのが恥ずかしくなってしまうよ。
No, we must just wait until the Copp girls come home and bind them to secrecy.
bind
(守らせる)
[動]
make someone do something
secrecy
(秘密)
[名]
the condition of being kept or meant to be kept unknown or unseen by others
いいえ、コップ家の娘たちが帰って来るまで待って、秘密を守らせなくてはいけないよ。
They’ll know where the axe is and get me out.
彼女たちは斧がどこにあるか知っているから、私をここから出してくれるよ。
I’m not uncomfortable, as long as I keep perfectly still . . . not uncomfortable in body I mean.
じっとしている限り、不快ではないわ・・・つまり、身体的に不快ではないよ。
I wonder what the Copp girls value this house at.
wonder
(知りたい)
[動]
feel curious about
value
(評価する)
[動]
estimate the monetary worth of
コップ家の娘たちはこの家をいくらで評価しているのか知りたいよ。
I shall have to pay for the damage I’ve done, but I wouldn’t mind that if I were only sure they would understand my motive in peeping in at their pantry window.
pay for
(弁償する)
[動]
give money in exchange for
damage
(損害)
[名]
physical harm caused to something
wouldn't mind
(気にしない)
[動]
not object to
私が与えた損害を弁償しなくてはいけないよ、でも、私が彼らの食料品室の窓を覗いた動機を理解してくれると確信できれば、私は気にしないよ。
My sole comfort is that the platter is just the kind I want and if Miss Copp will only sell it to me I shall be resigned to what has happened.”
sole
(唯一の)
[形]
being the only one
resign
(諦める)
[動]
voluntarily leave a job, post, or position
私の唯一の慰めは、その大皿がちょうど私が欲しい種類のものであることで、コップさんが私にそれを売ってくれるなら、私は起こったことを諦めようと思うよ。」
“If they’re not back by sunset you’ll have to go for other assistance, I suppose,” said Anne reluctantly, “but you mustn’t go until you really have to.
reluctantly
(しぶしぶ)
[副]
unwillingly; hesitantly
「もし日没までに帰って来なかったら、他の助けを呼びに行かなくてはいけないよね」とアンはしぶしぶ言った。「でも、本当に行かなくてはいけない時まで行ってはいけないよ。
Oh dear, this is a dreadful predicament.
predicament
(苦境)
[名]
a difficult, unpleasant, or embarrassing situation
ああ、これはひどい苦境だよ。
I wouldn’t mind my misfortunes so much if they were romantic, as Mrs. Morgan’s heroines’ always are, but they are always just simply ridiculous.
romantic
(ロマンチックな)
[形]
of, characterized by, or suggestive of an idealized view of reality
ridiculous
(ばかげた)
[形]
deserving or inviting laughter or scorn as absurdly incongruous or inappropriate
私の不幸が、モルガン夫人のヒロインたちのよういつもロマンチックなものなら、そんなに気にしないんだけど、いつもただ単にばかげたものなのよ。
Fancy what the Copp girls will think when they drive into their yard and see a girl’s head and shoulders sticking out of the roof of one of their outhouses.
drive
(入ってくる)
[動]
go or travel by car
stick
(出ている)
[動]
be in a specified state
outhouse
(離れ)
[名]
a small building separate from but near a main building
コップ家の娘たちが庭に馬車で入ってきて、離れの一つの屋根から少女の頭と肩が出ているのを見たらどう思うか想像してみて。
Listen . . . is that a wagon?
listen
(聞いて)
[動]
give one's attention to a sound
wagon
(馬車)
[名]
a vehicle with four wheels that is pulled by a horse
聞いて...あれは馬車?
No, Diana, I believe it is thunder.”
thunder
(雷)
[名]
the sound caused by lightning
いいえ、ダイアナ、あれは雷だと思うよ。」
“We must prepare for it,” said Anne tranquilly.
tranquilly
(落ち着いて)
[副]
in a calm and untroubled manner
「それに備えなくちゃ」アンは落ち着いて言った。
A thunderstorm seemed a trifle in comparison with what had already happened.
thunderstorm
(雷雨)
[名]
a storm with thunder and lightning and usually heavy rain
comparison
(比較)
[名]
the act of comparing two or more things
雷雨は、すでに起こったことと比べれば些細なことに思えた。
“You’d better drive the horse and buggy into that open shed.
shed
(小屋)
[名]
a small building, typically made of wood and used for storage
「馬車をあそこの開いた小屋に入れた方がいいよ。
Fortunately my parasol is in the buggy.
fortunately
(幸いにも)
[副]
happening by good luck; luckily
parasol
(日傘)
[名]
a light umbrella used as a sunshade
幸いにも私の日傘は馬車の中にある。
Here . . . take my hat with you.
ほら、私の帽子も持っていって。
Marilla told me I was a goose to put on my best hat to come to the Tory Road and she was right, as she always is.”
goose
(馬鹿)
[名]
a silly or foolish person
put on
(かぶる)
[動]
to place on one's head
マリラは、トーリー街道に来るのに一番いい帽子をかぶるなんて馬鹿だと言ってたよ。いつものことだけど、彼女は正しかったよ。」
Diana untied the pony and drove into the shed, just as the first heavy drops of rain fell.
ダイアナはポニーの綱を解いて小屋に入れた。ちょうどその時、最初の大粒の雨が降ってきた。
There she sat and watched the resulting downpour, which was so thick and heavy that she could hardly see Anne through it, holding the parasol bravely over her bare head.
downpour
(豪雨)
[名]
a heavy fall of rain
bravely
(勇敢に)
[副]
in a courageous manner
bare
(むき出しの)
[形]
not covered or protected
ダイアナはそこに座って、降り出した豪雨を眺めていた。雨は非常に激しく、ダイアナは、帽子もかぶらずに勇敢に日傘を差して立っているアンの姿をほとんど見ることができなかった。
There was not a great deal of thunder, but for the best part of an hour the rain came merrily down.
a great deal of
(多くの)
[名]
a large amount of
the best part of
(ほとんど)
[名]
the majority of
an hour
(一時間)
[名]
a period of time equal to 60 minutes
雷はそれほど多くなかったが、一時間ほど雨が降り続いた。
Occasionally Anne slanted back her parasol and waved an encouraging hand to her friend;
occasionally
(時折)
[副]
now and then; at times
slant
(傾ける)
[動]
be or cause to be inclined from a particular direction
encourage
(励ます)
[動]
give support, courage, or hope to
時折アンは日傘を後ろに傾けて、励ますように友人に手を振った。
But conversation at that distance was quite out of the question.
out of the question
(不可能)
[形]
not possible or worth considering
しかし、その距離では会話は全く不可能だった。
Finally the rain ceased, the sun came out, and Diana ventured across the puddles of the yard.
come out
(顔を出す)
[動]
appear or become visible
venture
(歩いてくる)
[動]
proceed despite the risk
puddle
(水たまり)
[名]
a small pool of liquid, typically rainwater
やっと雨が止み、太陽が顔を出した。ダイアナは庭の水たまりを横切って歩いてきた。
“Oh, no,” returned Anne cheerfully.
return
(答える)
[動]
say or write something as an answer
「いいえ」とアンは元気に答えた。
“My head and shoulders are quite dry and my skirt is only a little damp where the rain beat through the lathes.
dry
(濡れていない)
[形]
free from moisture or liquid
beat
(吹き込む)
[動]
strike repeatedly and violently
「頭と肩は全く濡れていないし、スカートも雨が吹き込んで少し湿っただけよ。
Don’t pity me, Diana, for I haven’t minded it at all.
pity
(哀れむ)
[動]
feel sorry for
at all
(全然)
[副]
to the slightest extent or degree; in the least
ダイアナ、私を哀れに思わないで。私は全然気にしていないのよ。
I kept thinking how much good the rain will do and how glad my garden must be for it, and imagining what the flowers and buds would think when the drops began to fall.
keep thinking
(考え続ける)
[動]
continue to think
how much
(どれほど)
[副]
to what extent or degree
bud
(蕾)
[名]
an undeveloped or immature flower
雨がどれほど役に立つか、庭がどれほど喜ぶかを考え続け、雨粒が落ち始めたとき、花や蕾が何を考えるかを想像していたの。
I imagined out a most interesting dialogue between the asters and the sweet peas and the wild canaries in the lilac bush and the guardian spirit of the garden.
sweet pea
(スイートピー)
[名]
a climbing plant with fragrant flowers
wild canary
(野生の金糸雀)
[名]
a small yellow bird
lilac bush
(ライラックの茂み)
[名]
a shrub with fragrant purple or white flowers
guardian spirit
(守護霊)
[名]
a spirit that protects a person or place
アスターとスイートピーとライラックの茂みの中の野生の金糸雀と庭の守護霊との間で、とても興味深い会話が繰り広げられているのを想像したの。
When I go home I mean to write it down.
write down
(書き留める)
[動]
record in writing
家に帰ったら書き留めようと思っているの。
I wish I had a pencil and paper to do it now, because I daresay I’ll forget the best parts before I reach home.”
do
(書き留める)
[動]
write down
今すぐ書き留めるために鉛筆と紙があったらいいのに。家に着く前に一番いいところを忘れてしまうかもしれないから。」
Diana the faithful had a pencil and discovered a sheet of wrapping paper in the box of the buggy.
discover
(見つける)
[動]
find unexpectedly
wrapping paper
(包装紙)
[名]
a decorative paper used to wrap a gift
忠実なダイアナは鉛筆を持っていて、馬車の箱の中に包装紙を見つけた。
Anne folded up her dripping parasol, put on her hat, spread the wrapping paper on a shingle Diana handed up, and wrote out her garden idyl under conditions that could hardly be considered as favorable to literature.
fold up
(たたむ)
[動]
bend (something flexible and flat) over on itself so that one part lies on top of another
drip
(水滴)
[名]
a small drop of liquid
spread
(広げる)
[動]
stretch out far apart
hand up
(差し出す)
[動]
give or pass to someone
write out
(書き上げる)
[動]
write in full
favorable
(適している)
[形]
giving an advantage to someone or something
literature
(文学)
[名]
written works, especially those considered of superior or lasting artistic merit
アンは水滴のついた日傘をたたみ、帽子をかぶり、ダイアナが差し出した板に包装紙を広げ、文学に適しているとは到底言えない状況で庭の牧歌を書き上げた。
Nevertheless, the result was quite pretty, and Diana was “enraptured” when Anne read it to her.
enraptured
(うっとり)
[形]
filled with great happiness or delight
それにもかかわらず、結果はかなりきれいで、アンがそれを彼女に読んで聞かせると、ダイアナは「うっとり」した。
“Oh, no, it wouldn’t be suitable at all.
be suitable
(適切である)
[動]
right or appropriate for a particular person, purpose, or situation
「ああ、いいえ、それは全く適切ではないでしょう。
There is no plot in it, you see.
plot
(筋書き)
[名]
the main events of a play, novel, film, or similar work, devised and presented by the writer as an interrelated sequence
そこには筋書きがないのです、ご存知の通り。
It’s just a string of fancies.
string
(連続)
[名]
a series of things arranged in a line
それはただの空想の連続です。
I like writing such things, but of course nothing of the sort would ever do for publication, for editors insist on plots, so Priscilla says.
writing
(書く)
[名]
the activity or occupation of a writer
publication
(出版)
[名]
the business or activity of publishing books, journals, music, or other works
editor
(編集者)
[名]
a person who is in charge of and responsible for the preparation and publication of a text, especially for a newspaper, magazine, or book
私はそのようなことを書くのが好きですが、もちろん、編集者は筋書きを主張するので、そのようなものは出版には向いていません、とプリシラは言います。
Oh, there’s Miss Sarah Copp now.
there
(来た)
[動]
arrive
Miss Sarah Copp
(サラ・コップさん)
[名]
a woman
ああ、サラ・コップさんが来たよ。
Please, Diana, go and explain.”
please
(お願い)
[間]
used in polite requests
ダイアナ、お願い、行って説明して。」
Miss Sarah Copp was a small person, garbed in shabby black, with a hat chosen less for vain adornment than for qualities that would wear well.
garb
(服)
[名]
clothing, especially of a distinctive or special kind
adornment
(飾り)
[名]
a decoration or an ornament
quality
(品質)
[名]
the standard of something as measured against other things of a similar kind; the degree of excellence of something
wear
(長持ちする)
[動]
remain in good condition despite having been used
サラ・コップさんは、みすぼらしい黒い服を着た小柄な人で、帽子は見かけの飾りよりも、長持ちする品質を重視して選んだものだった。
She looked as amazed as might be expected on seeing the curious tableau in her yard, but when she heard Diana’s explanation she was all sympathy.
amazed
(驚いた)
[形]
feeling or showing great surprise
might be expected
(予想通り)
[動]
be likely or probable
tableau
(光景)
[名]
a dramatic scene presented on stage by silent and motionless costumed participants
彼女は庭の奇妙な光景を見て、予想通り驚いたようだったが、ダイアナの説明を聞くと、とても同情してくれた。
She hurriedly unlocked the back door, produced the axe, and with a few skillfull blows set Anne free.
hurriedly
(急いで)
[副]
in a hurry; quickly
unlock
(鍵を開ける)
[動]
release the lock of
back door
(裏口)
[名]
a door at the back of a building
skillfull
(巧みな)
[形]
having or showing skill
blow
(一撃)
[名]
a powerful or violent stroke with a hand or weapon
彼女は急いで裏口の鍵を開け、斧を取り出し、巧みな一撃でアンを解放した。
The latter, somewhat tired and stiff, ducked down into the interior of her prison and thankfully emerged into liberty once more.
latter
(アン)
[名]
the second of two people or things mentioned
stiff
(硬い)
[形]
not easily bent or changed in shape
duck
(潜り込む)
[動]
move quickly and suddenly
prison
(牢屋)
[名]
a place where people are kept as a punishment
thankfully
(ありがたいことに)
[副]
in a grateful manner
emerge
(なる)
[動]
come out into view or existence
liberty
(自由)
[名]
the state of being free from oppressive restrictions or limitations
アンは、少し疲れて体が硬くなっていたが、牢屋の中へ潜り込み、ありがたいことに再び自由の身となった。
“Miss Copp,” she said earnestly.
Miss Copp
(コップさん)
[名]
a person's name
「コップさん」と彼女は真剣に言った。
“I assure you I looked into your pantry window only to discover if you had a willow-ware platter.
look into
(覗く)
[動]
to look inside something
discover
(確かめる)
[動]
to find out or notice something
「誓って言うけど、あなたの食器棚の窓を覗いたのは、柳の模様の大皿があるかどうかを確かめるためだけだったの。
I didn’t see anything else—I didn’t look for anything else.”
anything else
(他には何も)
[名]
any other thing
他には何も見なかったよ。他には何も探さなかったよ。」
“Bless you, that’s all right,” said Miss Sarah amiably.
bless you
(いいえ)
[間]
a phrase used to express good wishes
that's all right
(大丈夫よ)
[間]
a phrase used to express that something is acceptable
Miss Sarah
(サラさん)
[名]
a title used before the surname of an unmarried woman
amiably
(愛想よく)
[副]
in a friendly manner
「いいえ、大丈夫よ」とサラさんは愛想よく言った。
“You needn’t worry—there’s no harm done.
worry
(心配する)
[動]
feel or show concern or anxiety
「心配しなくていいのよ。何も害は及んでいないよ。
Thank goodness, we Copps keep our pantries presentable at all times and don’t care who sees into them.
thank goodness
(ありがたいことに)
[間]
an expression of relief
presentable
(人目に耐えうる)
[形]
of a good enough standard to be shown to other people
at all times
(いつでも)
[副]
on every occasion; always
see into
(覗く)
[動]
look into; peer into
ありがたいことに、私たちコップ家はいつでも食器棚を人目に耐えうる状態に保っているから、誰が覗いてもかまわないのよ。
As for that old duckhouse, I’m glad it’s smashed, for maybe now Martha will agree to having it taken down.
duckhouse
(アヒル小屋)
[名]
a house for ducks
maybe
(かもしれない)
[副]
perhaps; possibly
take down
(取り壊す)
[動]
demolish; destroy
あの古いアヒル小屋は、壊れてよかったよ。これでマーサも取り壊すことに同意してくれるかもしれないよ。
She never would before for fear it might come in handy sometime and I’ve had to whitewash it every spring.
come in handy
(役に立つ)
[動]
be useful or convenient
every spring
(毎年春に)
[名]
the season of the year between winter and summer
いつか役に立つかもしれないと、これまでは絶対に壊そうとしなかったから、私は毎年春に白塗りしなくちゃならなかったよ。
But you might as well argue with a post as with Martha. She went to town today—I drove her to the station.
argue
(議論する)
[動]
exchange diverging or opposite views, typically in a heated or angry way
Martha
(マーサ)
[名]
a woman's name
station
(駅)
[名]
a terminal for trains or buses
でも、マーサと議論するくらいなら、柱と議論した方がましよ。彼女は今日町に行ったよ。私が駅まで送ってあげたの。
And you want to buy my platter.
そして、私の大皿を買いたいのね。
Well, what will you give for it?”
give
(出せる)
[動]
to offer or present as a gift
for
(に)
[前]
in order to get or reach
いくら出せるの?」
“Well, I’ll see,” said Miss Sarah cautiously.
see
(考えてみる)
[動]
think about something
「そうね、考えてみようかしら」とサラさんは慎重に言った。
“That platter is mine fortunately, or I’d never dare to sell it when Martha wasn’t here.
「幸いにもあの大皿は私のものだから、マーサがいない時に売ろうなんて考えもしなかったよ。
As it is, I daresay she’ll raise a fuss.
as it is
(でも)
[副]
in the existing state of affairs
raise a fuss
(騒ぎ立てる)
[動]
make a lot of noise or commotion
でも、マーサは騒ぎ立てるでしょう。
Martha’s the boss of this establishment I can tell you.
boss
(ボス)
[名]
a person who is in charge of a worker or organization
マーサはこの家のボスなのよ。
I’m getting awful tired of living under another woman’s thumb.
live under
(支配下で生活する)
[動]
be subject to the authority of
thumb
(親指)
[名]
the short, thick first digit of the human hand
他の女性の支配下で生活するのにうんざりしてきたよ。
But come in, come in.
come in
(中に入る)
[動]
enter a place
でも、中に入って、中に入って。
You must be real tired and hungry.
must
(でしょう)
[助]
expressing a strong belief or opinion
本当に疲れてお腹が空いているでしょう。
I’ll do the best I can for you in the way of tea but I warn you not to expect anything but bread and butter and some cowcumbers.
do the best
(できる限りする)
[動]
do the best one can
cowcumber
(キュウリ)
[名]
a long green vegetable with a hard skin and soft flesh
お茶の用意はできる限りするけど、パンとバターとキュウリ以外は期待しないでね。
Martha locked up all the cake and cheese and preserves afore she went.
lock up
(鍵をかける)
[動]
fasten or secure (something) with a lock
マーサは出かける前にケーキやチーズやジャムを全部鍵をかけちゃったのよ。
She always does, because she says I’m too extravagant with them if company comes.”
extravagant
(贅沢すぎる)
[形]
spending money or using resources freely and recklessly; wasteful
いつもそうするのよ、だって私が来客があると贅沢すぎるんだって。」
Diana gave Anne’s foot a gentle kick under the table, meaning, “Don’t agree—she’ll let it go for twenty if you hold out.”
mean
(合図する)
[動]
intend to convey or indicate
hold out
(我慢する)
[動]
continue to do something in spite of difficulties
ダイアナはテーブルの下でアンの足をそっと蹴り、「同意しないで。我慢すれば20ドルで手放すよ」と合図した。
But Anne was not minded to take any chances in regard to that precious platter.
take any chances
(危険を冒す)
[動]
to do something that might have a bad result
in regard to
(に関して)
[前]
with regard to; concerning
しかしアンはあの貴重な大皿に関して危険を冒すつもりはなかった。
She promptly agreed to give twenty-five and Miss Sarah looked as if she felt sorry she hadn’t asked for thirty.
twenty-five
(25ドル)
[名]
the number 25
thirty
(30ドル)
[名]
the number 30
アンはすぐに25ドルで合意し、サラさんは30ドルを要求しなかったことを後悔しているように見えた。
“Well, I guess you may have it.
have
(差し上げる)
[動]
to possess, own, or hold
「そうね、あなたに差し上げてもいいよ。
I want all the money I can scare up just now.
scare up
(かき集める)
[動]
to find or get something with difficulty
just now
(今)
[副]
at this very moment
今はとにかくお金が欲しいの。
The fact is—” Miss Sarah threw up her head importantly, with a proud flush on her thin cheeks—“I’m going to be married—to Luther Wallace.
throw up
(もたげる)
[動]
to raise or lift up
importantly
(もったいぶって)
[副]
in an important manner
thin
(やせた)
[形]
having little flesh or fat on the body
proudly
(誇らしげに)
[副]
in a proud manner
flush
(赤らめる)
[動]
to become red in the face
Luther Wallace
(ルーサー・ウォレス)
[名]
a man's name
実はね」サラさんは、やせた頬を誇らしげに赤らめ、もったいぶって頭をもたげた。「結婚するの。ルーサー・ウォレスと。
He wanted me twenty years ago.
twenty years ago
(20年前)
[名]
20 years before the present time
want
(結婚を申し込む)
[動]
wish for; desire
彼は20年前に私に結婚を申し込んだの。
I liked him real well but he was poor then and father packed him off.
real well
(とても)
[副]
very much
pack off
(追い払う)
[動]
send away or dismiss abruptly
私も彼のことが好きだったんだけど、当時彼は貧乏で、父が追い払ってしまったの。
I s’pose I shouldn’t have let him go so meek but I was timid and frightened of father.
let go
(行かせる)
[動]
allow to leave
meek
(素直な)
[形]
submissive or humble
あんなに素直に彼を行かせるべきではなかったと思うけど、私は臆病で父が怖かった。
Besides, I didn’t know men were so skurse.”
be so skurse
(そんなに少ない)
[動]
be so few
それに、男性がそんなに少ないなんて知らなかったし。」
“I’ll amuse your Aunt Josephine with the ‘strange eventful history’ of this afternoon when I go to town tomorrow.
amuse
(笑わせる)
[動]
cause to laugh or smile
eventful
(出来事)
[形]
full of interesting or exciting events
history
(歴史)
[名]
the study of past events
「明日町に行ったら、今日の午後の『奇妙な出来事』をジョセフィンおばさんに話して笑わせてあげよう。
We’ve had a rather trying time but it’s over now.
trying
(大変な)
[形]
difficult or annoying
time
(時期)
[名]
a period of time
かなり大変な時期だったけど、もう終わったよ。
I’ve got the platter, and that rain has laid the dust beautifully.
lay
(落ちた)
[動]
cause to lie down
大皿も手に入れたし、雨で埃もきれいに落ちたよ。
So ‘all’s well that ends well.’”
all's well that ends well
(終わりよければ全てよし)
[他]
the outcome of a situation is satisfactory, even if the means of getting there were not
だから『終わりよければ全てよし』よ」